MUZIKOLOGIJA-MUSICOLOGY
type: channel
description: Journal Summary Journal Muzikologija-Musicology (ISSN 1450-9814, eISSN 2406-0976) is a peer-reviewed academic journal established in 2001 that promotes contemporary Serbian musicological and ethnomusicological research in international circles; at the same time, by including contributions of eminent foreign scholars, it has become an important and reliable source on contemporary musicological and ethnomusicological scientific tendencies and knowledge around the world. It is dedicated to music research as an aesthetical, cultural, historical and social phenomenon, with a primary focus on musicological and ethnomusicological research. The Journal also welcomes approaches from diverse scientific disciplines (history, history of art and literature, ethnology, anthropology, sociology, communicology, semiotics, music psychology etc.) as well as interdisciplinary projects. Three sections make up the backbone of the magazine. The Main Theme contains original articles related to a specific musicological or ethnomusicological topic. The Varia section contains scientific studies from a wider circle of thematic areas relevant to the artistic, vernacular, and ecclesiastical music traditions. The third section – Scientific Reviews and Polemics – comprises reviews of various musicological and ethnomusicological publications and reports on scientific meetings. Until 2011 the journal was published annually. Due to an increasing interest among local and international contributors, the Editorial Board decided to start publishing two issues per year (June and December), both in print and in open-access digital format. The Journal is indexed in the Web of Science, SCOPUS, ERIH PLUS, DOAJ, ProQuest, DoiSerbia, RILM, and in the List of Scientific Journals Categorization of the Ministry of Science, Technological Development and Innovation of the Republic of Serbia (M22). Publisher: Institute of Musicology of the Serbian Academy of Sciences and Arts, Belgrade, Serbia Address: Knez Mihailova…
publisher: Institute of Musicology of the Serbian Academy of Sciences and Arts
language: en
publication name: MUZIKOLOGIJA-MUSICOLOGY
issn: 1450-9814
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items: Rukopisna notna zbirka Jovana Frajta
items: Руска емиграција у музичком животу међуратног Београда
items: Rana domaća diskografska industrija: Edison Bell Penkala, Elektroton i Jugoton
items: Audiovisual Ethnomusicology: Filming Musical Culture
items: Плесати емоције: изазови емоционалног израза у процесу учења традиционалног плеса
items: Serbian Gypsy Jazz: Origins, Development, Results
items: The Rigor of Academic Publishing and Collaborative Projects: A Perspective from the Editor of Music Theory Spectrum and Contemporary Music Review
items: Reflecting on Ethno/Musicology from an Alternative Angle: “Lives in Musicology” in Acta Musicologica
items: Academic Music Journal Publishing in Türkiye: A Field-Theoretical Analysis of Institutionalization, Symbolic Capital,and Editorial Structures
items: Journal Muzikologija – Musicology as an Agent in Shaping Musicological and Ethnomusicological Research (2001–2025)
items: The Mediatory Role of Music and Dance in Romani Communities of Roman, Dom, Lom/Poşa in Türkiye: A Post-Humanism and Agential Realism Perspective
items: Српско и антисрпско становиште у часопису Zvuk: Jugoslovenska muzička revija - о самопорицајућем духу у пољу музичке уметности
items: Lacrimosa by Ivana Stefanović: Mother’s Tears Against War and Exilee
items: Manolis Kalomiris’s Romeic Suite (1907/1910) as an initiatory semantic signifier of the composer’s ideology and creation. A music-analytical and intertextual approach
items: The Poetics and Politics of the Mass Song in Nikola Hercigonja’s Discourse
items: When Yugoslavia began to Speak Jazz: The Magazine Svijet Jazza (1941) in Interwar Popular Culture
items: The INSAM Journal of Contemporary Music, Art and Technology: Curating a Research “Technoscape” through Independent Publishing and Regional Cooperation
items: Музикологија у Зборнику Матице српске за сценске уметности и музику (1987–2024)
items: Никола Херцигоња (1911-2000)
items: Станојло Рајичић (1910-2000)
items: Властимир Перичић (1927-2000)
items: Dedicated to the Memory of Dragutin Gostuški (Summary)
items: Гостушки и српска музикологија
items: Сећање на др Драгутина Гостушког
items: Слово о Гостушком
items: Искошени угао Драгутина Гостушког
items: Музиколошки конгреси у Јашију и Москви посвећени посвећени јубилеју два миленијума хришћанства
items: Етнокамп "Пештани 1998"
items: The Works of the Composer Miloje Milojević (Kompozitorsko stvaralaštvo Miloja Milojevića)
items: General Histories of Music and the Place of the European Periphery

Rukopisna notna zbirka Jovana Frajta
type: item
subject: Reviews and Polemics
  topic: section
creator: Младен Марковић
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-12-31
publication date: 2025-12-31
starting page: 425
ending page: 428

Руска емиграција у музичком животу међуратног Београда
type: item
subject: Reviews and Polemics
  topic: section
creator: Милана Живановић
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-12-31
publication date: 2025-12-31
starting page: 421
ending page: 424

Rana domaća diskografska industrija: Edison Bell Penkala, Elektroton i Jugoton
type: item
subject: Reviews and Polemics
  topic: section
creator: Iva Nenić
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-12-31
publication date: 2025-12-31
starting page: 415
ending page: 419

Audiovisual Ethnomusicology: Filming Musical Culture
type: item
subject: Reviews and Polemics
  topic: section
creator: Marija Dumnić Vilotijević
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-12-31
publication date: 2025-12-31
starting page: 409
ending page: 413

Плесати емоције: изазови емоционалног израза у процесу учења традиционалног плеса
type: item
description: Текст је настао као резултат пилот-пројекта спроведеног међу матурантима Одсека за народну игру Балетске школе у Новом Саду (2024). Како се у школском систему плес недовољно повезује с емоцијама, при чему је акценат углавном на техничким аспектима извођења, основни циљ пројекта био је теоријско и практично истраживање односа телесног и емоционалног израза у традиционалном плесу. Полазим од хипотезе да ученици доживљавају напетост између очекиваног плесног израза, који је део формалног кореографског оквира, и њихове способности да препознају и артикулишу властите емоције. Теоријски, текст се ослања на концепт отеловљења, док је методолошки поступак вишефазни и подразумева етнографију, анкете и анализу радионица с ученицима.
subject: Articles
  topic: section
subject: традиционални плес
  topic: keywords
subject: емоције
  topic: keywords
subject: отеловљење
  topic: keywords
subject: кореоестезија
  topic: keywords
creator: Милош Рашић
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-12-31
publication date: 2025-12-31
starting page: 383
ending page: 406

Serbian Gypsy Jazz: Origins, Development, Results
type: item
description: This study investigates the genesis and development of a popular music style, Serbian gypsy jazz, utilizing Radoslav Đokić’s sociological theory of cultural hybrids and paradigmatic transformations. This theoretical framework is already established in Serbian ethnomusicology and musicology. In the Serbian context, the term gypsy jazz encompasses two discernible traditions: one stemming from the original French jazz manouche or jazz tsigane of Django Reinhardt, and the other an authentic local hybrid genre. This research focuses specifically on the latter – the indigenous Serbian hybrid. The methodology involves analyzing the origins of Serbian gypsy jazz and tracing its four distinct stages of evolution, supported by various musical examples. To illustrate the final stage, I concentrate on the output of the
subject: Articles
  topic: section
subject: Roma music in the Balkans
  topic: keywords
subject: Serbian gypsy jazz
  topic: keywords
subject: Django Reinhardt
  topic: keywords
subject: jazz manouche
  topic: keywords
subject: Šaban Bajramović
  topic: keywords
subject: Ljubiša Stojanović Louis
  topic: keywords
subject: cultural hybrids
  topic: keywords
subject: Radoslav Đokić
  topic: keywords
creator: Ivana Medić
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-12-31
publication date: 2025-12-31
starting page: 303
ending page: 326

The Rigor of Academic Publishing and Collaborative Projects: A Perspective from the Editor of Music Theory Spectrum and Contemporary Music Review
type: item
description: Music Theory Spectrum, featuring rigorous and critical studies on a wide range of topics in music theory and analysis, is a flagship journal of the Society for Music Theory. Contemporary Music Review is one of the leading publications that focuses on the critical study and discussion of contemporary music from around the globe and diverse methodologies and approaches. In this reflective essay, I present an autoethnographic assessment of the rigor of academic publishing from the perspective of Editor-in-Chief of Music Theory Spectrum and the challenges and fruitions of collaborative projects through the lens of Editor of Contemporary Music Review, the positions I currently hold.
subject: Articles
  topic: section
subject: Music Theory Spectrum
  topic: keywords
subject: Contemporary Music Review
  topic: keywords
subject: international collaborations
  topic: keywords
subject: academic publishing
  topic: keywords
subject: peer review in academic publishing
  topic: keywords
creator: Laura Emmery
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-12-31
publication date: 2025-12-31
starting page: 147
ending page: 170

Reflecting on Ethno/Musicology from an Alternative Angle: “Lives in Musicology” in Acta Musicologica
type: item
description: This article examines the “Lives in Musicology” column in Acta Musicologica (introduced in 2017 by Federico Celestini and Philip V. Bohlman) as a lens for reflecting on the discipline of musicology. Eight renowned scholars – including pioneers in musicology, ethnomusicology, and music theory – from the United States, Europe, East Asia, Africa, and Australia – revisited their careers, revealing the construction and trajectory of the field. Their autobiographical accounts, analyzed through the theory of autobiography by Jaume Aurell, trace the discipline’s expansion from the Western canon to diverse research areas, the establishment of new concepts, and the radical shift in Acta Musicologica editorial policy from conservative positivism focused on the Germanic canon toward a pluricultural and multilingual global musicology.
subject: Articles
  topic: section
subject: Acta Musicologica
  topic: keywords
subject: “Lives in Musicology”
  topic: keywords
subject: ethno/musicology
  topic: keywords
subject: autobiography
  topic: keywords
subject: interventional autobiography
  topic: keywords
creator: Tatjana Marković
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-12-31
publication date: 2025-12-31
starting page: 127
ending page: 146

Academic Music Journal Publishing in Türkiye: A Field-Theoretical Analysis of Institutionalization, Symbolic Capital,and Editorial Structures
type: item
description: This article examines music journal publishing in Türkiye through Pierre Bourdieu’s field theory. While briefly outlining developments since the nineteenth century, its primary analytical focus is the post-1980 period, marked by the institutionalization of academia and the rise of peer review culture. The article specifically traces post-2000 transformations driven by digitization, open access, and indexing systems, showing how standardized editorial workflows formalize relationships between journals and symbolic capital. It conceptualizes editorial networking as a field-level practice through which language policy, reviewer mobility, and networked authorship operate as instruments of internationalization.
subject: Articles
  topic: section
subject: music journals
  topic: keywords
subject: Türkiye
  topic: keywords
subject: Pierre Bourdieu’s field theory
  topic: keywords
subject: DergiPark
  topic: keywords
subject: editorial networking
  topic: keywords
creator: Fikret Merve Eken Küçükaksoy
creator: Abdullah Akat
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-12-31
publication date: 2025-12-31
starting page: 103
ending page: 126

Journal Muzikologija – Musicology as an Agent in Shaping Musicological and Ethnomusicological Research (2001–2025)
type: item
description: This study has been written on the occasion of the twenty-fifth anniversary of the journal Muzikologija – Musicology. It employs a hybrid methodology, ranging from autoethnographic reflection to quantitative data analysis. It focuses on the process of the journal’s founding, as well as the research of the standardization of editorial policies and internationalization trends, and the editorial and author networking in shaping the journal’s thematic scope and physiognomy. In this way, the journal is viewed from different angles as a factor in ethno/musicological research at both local and international levels.
subject: Articles
  topic: section
subject: journal Muzikologija - Musicology
  topic: keywords
subject: Institute of Musicology SASA
  topic: keywords
subject: musicology
  topic: keywords
subject: ethnomusicology
  topic: keywords
creator: Biljana Milanović
creator: Melita Milin
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-12-31
publication date: 2025-12-31
starting page: 21
ending page: 52

The Mediatory Role of Music and Dance in Romani Communities of Roman, Dom, Lom/Poşa in Türkiye: A Post-Humanism and Agential Realism Perspective
type: item
description: This study explores the mediatory roles of music and dance within the Roman, Dom, and Lom/Poşa communities in Türkiye through a post-humanist and agential realism framework, drawing on Karen Barad’s theories. These cultural practices are examined as dynamic material-discursive phenomena that entangle human and non-human agencies (such as instruments, performance spaces, and socio-political contexts) to co-constitute identity, resilience, and cultural heritage. Based on extensive fieldwork in the Thracian region, Istanbul, and ongoing projects across western, southeastern, and northeastern Türkiye, the research highlights how these communities’ music and dance serve as vibrant intra-actions that negotiate marginalization, foster intercultural exchange, and reconfigure socio-economic networks. By emphasizing the agency of sound, movement, and material elements, this paper reimagines Romani cultural expressions as living processes that challenge stereotypes, affirm communal bonds, and contribute to the evolution of music in Türkiye within local and global contexts.
subject: Articles
  topic: section
subject: Romani music and dance
  topic: keywords
subject: agential realism
  topic: keywords
subject: post-humanism
  topic: keywords
subject: Türkiye
  topic: keywords
creator: Fatma Belma Oğul
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-12-31
publication date: 2025-12-31
starting page: 327
ending page: 353

Српско и антисрпско становиште у часопису Zvuk: Jugoslovenska muzička revija - о самопорицајућем духу у пољу музичке уметности
type: item
description: На материјалу првог и јединог стручног музичког гласила после Другог светског рата – Zvuk: Jugoslovenska muzička revija, у „београдској” фази излажења, када се на месту Главног уредника налазила Стана Ђурић Клајн (1955–1966), музиколог, издвојен је и аналитички сагледан однос тема и наратива српских, али и аутора из других република бивше југословенске федерације. Статус српске музике на југословенској платформи, одсуство или замагљивање њене непосредне националне идентификације, с једне стране, и транспарентна национална усмереност прилога о осталим националним музичким традицијама, приказани су у вези с бројним личностима и догађајима који су обележили југословенски музички простор. Теза о порозној југословенској платформи, првенствено заступаној из Србије, односно – њена изразито национална интерпретација, често и с израженим анимозитетом према „српском” елементу у прилозима аутора из остатка земље, такође је документована. Самопорицајући дух у држању и делању већине српских музичких посленика показан је и на примерима из поља црквене – српске и византијске музике, као и духовних музичких традиција и пракси западне провенијенције.
subject: Articles
  topic: section
subject: Zvuk: Jugoslovenska muzička revija
  topic: keywords
subject: југословенска платформа
  topic: keywords
subject: наднационални југословенски идентитет
  topic: keywords
subject: српско становиште
  topic: keywords
subject: самопорицајући српски дух
  topic: keywords
subject: Стана Ђурић Клајн
  topic: keywords
subject: црквена српска музика
  topic: keywords
subject: Византија
  topic: keywords
creator: Весна Сара Пено
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-12-31
publication date: 2025-12-31
starting page: 171
ending page: 215

Lacrimosa by Ivana Stefanović: Mother’s Tears Against War and Exilee
type: item
description: This paper analyses the radiophonic work Lacrimosa (1993) by Serbian composer Ivana Stefanović (1948–). More specifically, the work is interpreted from several thematic cores, as it addresses antiwar protests, exile, and motherhood, while echoing the lament as practice of expressing grief and loss. These topics are shaped in the framework of radio art, using various sound sources as building materials, from archive and field recordings to quotations of well-known music pieces. The interpretation of these interpolated materials is framed by the accounts on the creation and reception of the piece.
subject: Articles
  topic: section
subject: Ivana Stefanović
  topic: keywords
subject: Lacrimosa
  topic: keywords
subject: radio art
  topic: keywords
subject: lament
  topic: keywords
subject: exile
  topic: keywords
subject: war
  topic: keywords
subject: protest
  topic: keywords
subject: Sarajevo
  topic: keywords
subject: Belgrade
  topic: keywords
creator: Marija Maglov
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-12-31
publication date: 2025-12-31
starting page: 283
ending page: 301

Manolis Kalomiris’s Romeic Suite (1907/1910) as an initiatory semantic signifier of the composer’s ideology and creation. A music-analytical and intertextual approach
type: item
description: Manolis Kalomiris (1883-1962), the leader of the Greek National School of composers, continuously sought to express his ideas through both music and words. This paper examines the formation of his ideology before 1910, focusing on his writings (articles, the 1908 “program-manifesto”) and his orchestral Romeic Suite (1907/1910). Musical and textual co-examination under semantic codes reveal external influences, symbolic meanings, and ideological identity of the composer and his work. It is asserted that within the historical context of the early 1910s, Kalomiris used intertextual discourse to convey his ideological codes to Greek literary, political, and musical audiences of the time.
subject: Articles
  topic: section
subject: Greek art music
  topic: keywords
subject: Manolis Kalomiris
  topic: keywords
subject: intertextuality
  topic: keywords
subject: ideology
  topic: keywords
subject: semantics
  topic: keywords
creator: Giorgos Sakallieros
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-12-31
publication date: 2025-12-31

The Poetics and Politics of the Mass Song in Nikola Hercigonja’s Discourse
type: item
description: The article is dedicated to Nikola Hercigonja’s discourse on the Yugoslav mass song. It reconstructs his aesthetic principles: simplicity, collectivism, realism, and folklore as “living art.” At the same time, it explores the political frameworks in which this poetics took shape: from the wartime partisan experience to the postwar institutionalization, where tensions arose between mass participation and the professionalization of artistic practice.
subject: Articles
  topic: section
subject: Nikola Hercigonja
  topic: keywords
subject: mass song
  topic: keywords
subject: music folklore
  topic: keywords
subject: musical realism
  topic: keywords
subject: choral singing
  topic: keywords
subject: musical institutions
  topic: keywords
creator: Srđan Atanasovski
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-12-31
publication date: 2025-12-31
starting page: 263
ending page: 282

When Yugoslavia began to Speak Jazz: The Magazine Svijet Jazza (1941) in Interwar Popular Culture
type: item
description: Published in Zagreb between January and April 1941, the monthly magazine Svijet jazza [The World of Jazz] was the first periodical in the Kingdom of Yugoslavia dedicated exclusively to jazz music. It featured original articles and reviews of prominent musical events, as well as translations from a range of foreign jazz magazines. Taking inspiration from American publications such as The Orchestra World and Metronome, Svijet jazza brought together contributors and correspondents from Ljubljana, Belgrade, Split, and New York. Its publication came to an abrupt end, after only four issues, with the outbreak of World War II in Yugoslavia. An analysis of Svijet jazza reveals how jazz in interwar Yugoslavia emerged as a marker of modernity and an integral part of the broader field of popular culture.
subject: Articles
  topic: section
subject: Magazine Svijet jazza [The World of Jazz]
  topic: keywords
subject: jazz music
  topic: keywords
subject: Zagreb
  topic: keywords
subject: interwar Yugoslavia
  topic: keywords
subject: popular culture
  topic: keywords
creator: Marija Golubović
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-12-31
publication date: 2025-12-31
starting page: 217
ending page: 237

The INSAM Journal of Contemporary Music, Art and Technology: Curating a Research “Technoscape” through Independent Publishing and Regional Cooperation
type: item
description: The paper offers a comprehensive overview of the INSAM Journal of Contemporary Music, Art and Technology, focusing on its editorial policies, structure, and research profile within the broader context of regional and global academic publishing related to music and arts. Through an analysis of fourteen issues published between 2018 and 2025, the paper traces the journal’s development, its transdisciplinary orientation, and its commitment to open-access publishing. It further examines how the journal’s “technoscape” connects artistic research, music, and technology, positioning INSAM Journal as both a platform for independent scholarly expression and a site of regional collaboration and exchange. The study also reflects on the challenges and significance of maintaining an independent, digitally based, and transdisciplinary journal in the contemporary landscape of the humanities.
subject: Articles
  topic: section
subject: INSAM Journal of Contemporary Music, Art and Technology
  topic: keywords
subject: contemporary humanities
  topic: keywords
subject: open access
  topic: keywords
subject: art and technology
  topic: keywords
subject: post-Yugoslav context
  topic: keywords
creator: Bojana Radovanović Šuput
creator: Rijad Kaniža
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-12-31
publication date: 2025-12-31
starting page: 73
ending page: 101

Музикологија у Зборнику Матице српске за сценске уметности и музику (1987–2024)
type: item
description: Године 1987. објављен је први број Зборника Матице српске за сценске уметности и музику у Новом Саду. Посвећен театрологији, филмологији, музикологији и етномузикологији, ово је први српски научни часопис из области музикологије. Године 2024. изашао је 70. број овог гласила. То је био повод за израду ове студије, која доноси типолошку систематизацију и анализу музиколошких доприноса у тих седамдесет бројева. Зборник је био изразито посвећен истраживању и проучавању историје српске музике, а у том оквиру посебно историји црквене музике и историји музикографије. Заступљени су и радови о старијој и савременој европској музици, опери, балету, џезу, мјузиклу, позоришној и филмској музици и др.
subject: Articles
  topic: section
subject: Зборник Матице српске за сценске уметности и музику
  topic: keywords
subject: српска музиколошка периодика
  topic: keywords
subject: историографија српске музике
  topic: keywords
subject: српска црквена музика
  topic: keywords
subject: српска музикографија
  topic: keywords
creator: Александар Васић
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-12-31
publication date: 2025-12-31
starting page: 53
ending page: 72

Никола Херцигоња (1911-2000)
type: item
subject: In Memoriam, Jubilee
  topic: section
creator: Ana Matović
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-11-27
publication date: 2025-11-27
starting page: 178
ending page: 180

Станојло Рајичић (1910-2000)
type: item
subject: In Memoriam, Jubilee
  topic: section
creator: Александар Васић
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-11-27
publication date: 2025-11-27
starting page: 174
ending page: 178

Властимир Перичић (1927-2000)
type: item
subject: In Memoriam, Jubilee
  topic: section
creator: Мелита Милин
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-11-27
publication date: 2025-11-27
starting page: 172
ending page: 174

Dedicated to the Memory of Dragutin Gostuški (Summary)
type: item
subject: Reviews and Polemics
  topic: section
creator: Katarina Tomašević
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-11-27
publication date: 2025-11-27
starting page: 171
ending page: 172

Гостушки и српска музикологија
type: item
subject: Reviews and Polemics
  topic: section
creator: Катарина Томашевић
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-11-27
publication date: 2025-11-27
starting page: 167
ending page: 170

Сећање на др Драгутина Гостушког
type: item
subject: Reviews and Polemics
  topic: section
creator: Властимир Трајковић
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-11-27
publication date: 2025-11-27
starting page: 165
ending page: 167

Слово о Гостушком
type: item
subject: Reviews and Polemics
  topic: section
creator: Младен Србиновић
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-11-27
publication date: 2025-11-27
starting page: 164
ending page: 165

Искошени угао Драгутина Гостушког
type: item
subject: Reviews and Polemics
  topic: section
creator: Предраг Палавестра
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-11-27
publication date: 2025-11-27
starting page: 161
ending page: 163

Музиколошки конгреси у Јашију и Москви посвећени посвећени јубилеју два миленијума хришћанства
type: item
subject: Reviews and Polemics
  topic: section
creator: Весна Пено
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-11-27
publication date: 2025-11-27
starting page: 156
ending page: 160

Етнокамп "Пештани 1998"
type: item
subject: Reviews and Polemics
  topic: section
creator: Јелена Јовановић
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-11-27
publication date: 2025-11-27
starting page: 153
ending page: 156

The Works of the Composer Miloje Milojević (Kompozitorsko stvaralaštvo Miloja Milojevića)
type: item
subject: Reviews and Polemics
  topic: section
creator: Sanja Grujić-Vlajnić
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-11-27
publication date: 2025-11-27
starting page: 151
ending page: 153

General Histories of Music and the Place of the European Periphery
type: item
description: One of the aims of the paper is to draw attention to examples of partiality against younger or peripheral music cultures, still subsisting in Western general histories of music. It is suggested that one of the ways of overcoming such attitudes could be to organise team work that would concentrate on writing regional histories of music. Thus a fairer integration into general histories of music would hopefully be achieved.
subject: Articles
  topic: section
subject: histories of music
  topic: keywords
subject: nationalism in music
  topic: keywords
subject: centre-periphery relations
  topic: keywords
creator: Melita Milin
rights: Copyright (c) 2025 MUZIKOLOGIJA-MUSICOLOGY https://creativecommons.org/licenses/by-nc-nd/3.0/rs/
date: 2025-11-27
publication date: 2025-11-27
starting page: 141
ending page: 149